UGC NET December 2026 | English Paper-II | Mock Test–25 | PYQs MCQs
UGC NET December 2026 – English Paper II
Mock Test 5: Unit III – Fiction and Short Story
Examination Instructions
Examination
UGC NET December 2026
Subject
English – Paper II
Unit
Unit III: Fiction and Short Story
Total Questions
20 MCQs
Maximum Marks
40
Suggested Time
25 minutes
Each question carries 2 marks.
Each question has four alternatives: (A), (B), (C), and (D). Select the single most appropriate answer.
There is no negative marking in this practice test.
The test includes factual, conceptual, assertion–reason, statement-based, matching, chronology, case-study, and application-based questions.
These are original practice questions based on important syllabus areas and recurring examination themes. They are not actual or officially predicted UGC NET questions.
Section A: Multiple-Choice Questions
Question 1. (Author and Work)
Which novel by Daniel Defoe narrates the experiences of a man who becomes stranded on an island and must survive through resourcefulness and labour?
(A) Moll Flanders
(B) Robinson Crusoe
(C) Joseph Andrews
(D) Tom Jones
Question 2. (Literary Concept: Psychological Novel)
Which of the following best characterises a psychological novel?
(A) It concentrates exclusively on external battles and military campaigns.
(B) It explores characters' inner thoughts, emotions, motivations, and mental conflicts.
(C) It avoids character development and focuses only on landscape.
(D) It presents the narrative exclusively through newspaper reports.
Question 3. (Assertion–Reason: Charles Dickens)
Assertion (A): Charles Dickens frequently portrays the suffering of children and the poor while criticising social institutions.
Reason (R): Dickens's fiction often exposes the effects of poverty, inadequate education, exploitative labour, and institutional injustice.
Choose the correct answer:
(A) Both A and R are true, and R is the correct explanation of A.
(B) Both A and R are true, but R is not the correct explanation of A.
(C) A is true, but R is false.
(D) A is false, but R is true.
Question 4. (Match the Following: Authors and Works)
Match List I with List II.
List I: Author | List II: Work |
|---|---|
1. James Joyce | a. Sons and Lovers |
2. D. H. Lawrence | b. The Sound and the Fury |
3. William Faulkner | c. A Portrait of the Artist as a Young Man |
4. Joseph Conrad | d. Lord Jim |
Choose the correct code:
(A) 1–c, 2–a, 3–b, 4–d
(B) 1–a, 2–c, 3–d, 4–b
(C) 1–d, 2–b, 3–a, 4–c
(D) 1–b, 2–d, 3–c, 4–a
Question 5. (Short Story: Edgar Allan Poe)
Which of the following is a central feature of Edgar Allan Poe's short story “The Tell-Tale Heart”?
(A) A detached account of a peaceful rural community.
(B) A narrator whose insistence on sanity is undermined by his disturbing behaviour and perceptions.
(C) A historical account of the Industrial Revolution.
(D) A comic narrative about mistaken social invitations.
Question 6. (Narrative Technique: Epiphany)
In James Joyce's fiction, the term epiphany most appropriately refers to:
(A) A sudden moment of insight or revelation that changes a character's understanding.
(B) A lengthy description of a geographical location.
(C) The introduction of a new character at the beginning of every chapter.
(D) A narrative written exclusively through letters.
Question 7. (Statement-Based Question: Modernist Fiction)
Consider the following statements about modernist fiction.
It often challenges conventional linear narrative structures.
It may represent consciousness through memory, association, and interior monologue.
It always presents a single, fully reliable narrator.
It frequently experiments with time, perspective, and narrative form.
Which of the statements given above are correct?
(A) 1 and 2 only
(B) 1, 2 and 4 only
(C) 2, 3 and 4 only
(D) 1, 2, 3 and 4
Question 8. (Indian English Fiction)
Which novel by Raja Rao explores the philosophical and cultural encounters associated with Indian identity, tradition, and modernity?
(A) Kanthapura
(B) The Private Life of an Indian Prince
(C) The Serpent and the Rope
(D) Untouchable
Question 9. (Short Story: Author Identification)
Who wrote the short story “The Gift of the Magi”?
(A) O. Henry
(B) Saki
(C) Edgar Allan Poe
(D) Guy de Maupassant
Question 10. (Match the Following: Literary Terms)
Match the terms in List I with their definitions in List II.
List I | List II |
|---|---|
1. Irony | a. A deliberate exaggeration for emphasis or effect |
2. Satire | b. A contrast between appearance, expectation, and reality |
3. Hyperbole | c. A technique that exposes folly or vice through ridicule |
4. Allegory | d. A narrative in which characters and events convey additional symbolic meanings |
Choose the correct code:
(A) 1–b, 2–c, 3–a, 4–d
(B) 1–c, 2–a, 3–d, 4–b
(C) 1–a, 2–d, 3–b, 4–c
(D) 1–d, 2–b, 3–c, 4–a
Question 11. (Assertion–Reason: Colonial Fiction)
Assertion (A): Postcolonial criticism may examine how literary texts represent cultural identity, colonial authority, and resistance.
Reason (R): Colonial narratives and their literary representations are entirely free from questions of power, ideology, and cultural hierarchy.
Choose the correct answer:
(A) Both A and R are true, and R is the correct explanation of A.
(B) Both A and R are true, but R is not the correct explanation of A.
(C) A is true, but R is false.
(D) A is false, but R is true.
Question 12. (Case Study: Narrative and Memory)
Read the following passage:
Whenever Daniel passed the abandoned railway station, he remembered the afternoon his brother had left for the city. The platform looked smaller now, and the clock above the ticket window had stopped. He could no longer recall the exact words they had exchanged, but he remembered the colour of his brother's coat and the sound of the departing train. Each visit seemed to change the memory slightly, as though the past were being rewritten by the present.
Which concept best explains the passage's treatment of memory?
(A) Memory is presented as an entirely objective record of past events.
(B) Memory is selective and reconstructed through present experience.
(C) The narrator has no emotional relationship with the past.
(D) The passage relies exclusively on scientific exposition.
Question 13. (Postcolonial Fiction: E. M. Forster)
In A Passage to India, which incident becomes a major source of ambiguity and conflict between Dr Aziz and the British characters?
(A) The destruction of a railway bridge.
(B) The incident in the Marabar Caves involving Adela Quested.
(C) A dispute over ownership of a London theatre.
(D) The discovery of a hidden royal inheritance.
Question 14. (Feminist Literary Criticism)
A critic examines how a novel portrays women's restricted access to property, education, employment, and independent decision-making.
Which concept is most directly relevant to this reading?
(A) Gender and patriarchal power structures
(B) The classification of vowel sounds
(C) The metrical pattern of heroic couplets alone
(D) The chronological arrangement of chapters alone
Question 15. (American Fiction: Herman Melville)
Which novel by Herman Melville centres on Captain Ahab's obsessive pursuit of the white whale?
(A) The Scarlet Letter
(B) Moby-Dick
(C) The Great Gatsby
(D) Adventures of Huckleberry Finn
Question 16. (Chronology: English Fiction)
Arrange the following works in chronological order of their first publication, from earliest to latest.
Pamela — Samuel Richardson
Pride and Prejudice — Jane Austen
Jane Eyre — Charlotte Brontë
Heart of Darkness — Joseph Conrad
Choose the correct answer:
(A) 1, 2, 3, 4
(B) 2, 1, 4, 3
(C) 1, 3, 2, 4
(D) 3, 1, 2, 4
Question 17. (Short Story: Shirley Jackson)
What is the central technique used in Shirley Jackson's “The Lottery” to create its disturbing effect?
(A) A supernatural narrator explains every event in advance.
(B) An apparently ordinary community setting gradually reveals the horror of a violent tradition.
(C) The story begins with a detailed account of a future utopian society.
(D) The narrator directly announces the moral lesson before the action begins.
Question 18. (Application-Based: Character Development)
At the beginning of a novel, a young protagonist believes that wealth guarantees happiness. After experiencing betrayal, loss, and the suffering of others, the protagonist revises this belief and begins to value empathy and integrity.
Which concept best describes this development?
(A) Character arc
(B) Setting
(C) Foreshadowing alone
(D) Frame narrative
Question 19. (Literary Concept: Realism)
Which of the following is most characteristic of literary realism?
(A) The consistent portrayal of supernatural beings as the only agents of change.
(B) The representation of recognisable social life, ordinary characters, and plausible situations.
(C) The exclusive use of mythological events without social context.
(D) The rejection of all forms of psychological characterisation.
Question 20. (Comprehension and Critical Interpretation)
Read the following passage carefully:
The village postman retired on a Monday morning. For decades, he had carried letters announcing births, examinations, marriages, and deaths. The villagers now received most messages on their phones, yet several people came to the post office that day to thank him. One woman brought an old envelope her son had sent from overseas; another carried a postcard from a friend who had long since died. The postman realised that his work had involved more than delivering words. He had helped people feel connected across distance and time.
Which interpretation best captures the central theme?
(A) Digital communication has made all earlier forms of communication meaningless.
(B) A profession can acquire emotional and social significance beyond its practical function.
(C) The passage argues that letters never communicate useful information.
(D) The story is primarily concerned with the technical operation of a postal system.
Section B: Answer Key with Explanations
Question | Correct Answer | Explanation |
|---|---|---|
1 | B | Daniel Defoe's Robinson Crusoe (1719) depicts survival, resourcefulness, labour, and encounters shaped by colonial assumptions. |
2 | B | The psychological novel emphasises characters' inner lives, motives, emotions, conflicts, and mental development. |
3 | A | Dickens frequently portrays social injustice, poverty, and institutional failures. These concerns explain his sympathetic representations of vulnerable characters. |
4 | A | James Joyce—A Portrait of the Artist as a Young Man; D. H. Lawrence—Sons and Lovers; William Faulkner—The Sound and the Fury; Joseph Conrad—Lord Jim. |
5 | B | Poe's narrator claims to be sane, but his obsessive behaviour and disturbing perceptions undermine his credibility. |
6 | A | An epiphany is a moment of sudden insight or recognition. Joyce uses such moments to reveal characters' emotional or psychological realities. |
7 | B | Statements 1, 2, and 4 are correct. Modernist fiction often experiments with narration and does not require a single fully reliable narrator. |
8 | C | Raja Rao's The Serpent and the Rope explores Indian and European cultures, philosophical questions, identity, and spiritual understanding. |
9 | A | O. Henry wrote “The Gift of the Magi,” a story involving sacrifice, love, irony, and an unexpected reversal. |
10 | A | Irony involves a contrast between expectation and reality; satire ridicules folly or vice; hyperbole exaggerates; allegory communicates additional symbolic meanings. |
11 | C | Postcolonial criticism investigates power and representation. The reason is false because colonial narratives are often deeply implicated in questions of ideology and hierarchy. |
12 | B | The passage suggests that memory is selective and changes as the individual revisits the past from a new present perspective. |
13 | B | The Marabar Caves incident involving Adela Quested becomes a central source of misunderstanding, accusation, and racial tension in Forster's novel. |
14 | A | Feminist criticism examines gendered inequality, patriarchal institutions, and the social constraints imposed on women. |
15 | B | Herman Melville's Moby-Dick (1851) follows Captain Ahab's obsessive pursuit of the white whale and explores themes including revenge and human limits. |
16 | A | Pamela (1740), Pride and Prejudice (1813), Jane Eyre (1847), and Heart of Darkness (first published in book form in 1902; it appeared earlier in a magazine in 1899). |
17 | B | Shirley Jackson establishes an ordinary village atmosphere before revealing the brutal nature of its ritual, exposing conformity and unquestioned tradition. |
18 | A | A character arc describes the development or transformation of a character's beliefs, values, behaviour, or understanding over the course of a narrative. |
19 | B | Realism generally represents plausible events, recognisable social conditions, and ordinary human experiences. |
20 | B | The postman's role extends beyond delivery: he serves as a link between people, preserving memories and sustaining emotional connections. |
Section C: Score Evaluation
Each correct answer carries 2 marks.
Score | Performance | Recommended Action |
|---|---|---|
34–40 | Excellent | Attempt advanced conceptual and comprehension-based questions. |
26–32 | Good | Revise weaker authors, works, and literary terms. |
16–24 | Moderate | Strengthen factual knowledge and interpretation skills. |
0–14 | Needs improvement | Review foundational concepts before the next mock test. |
These are informal practice bands, not official UGC NET qualifying thresholds.
Section D: Important Revision Topics for UGC NET December 2026
Rise of the English novel: Daniel Defoe, Samuel Richardson, Henry Fielding, and Laurence Sterne.
Victorian fiction: Charles Dickens, George Eliot, Thomas Hardy, and the Brontë sisters.
Modernist fiction: James Joyce, Virginia Woolf, D. H. Lawrence, William Faulkner, and Joseph Conrad.
Short-story writers: Edgar Allan Poe, O. Henry, Anton Chekhov, Guy de Maupassant, Shirley Jackson, Saki, and Katherine Mansfield.
Indian English fiction: Mulk Raj Anand, R. K. Narayan, Raja Rao, Salman Rushdie, and Arundhati Roy.
Narrative techniques: Stream of consciousness, epiphany, free indirect discourse, unreliable narration, and retrospective narration.
Literary concepts: Psychological novel, epistolary novel, realism, naturalism, symbolism, satire, and allegory.
Critical approaches: Feminist criticism, postcolonial criticism, and the relationship between literature, society, and ideology.
Preparation tip: For every major author, prepare a revision sheet covering important works, publication dates, characters, narrative techniques, central themes, and literary movements. Give particular attention to statement-based questions, matching exercises, chronology, and the interpretation of unfamiliar passages.

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